Spotify uses Gullak cast to reframe Diwali chores
Spotify's new Diwali ads with the Gullak cast show how a familiar song can turn festive chores into shared family rituals.
Spotify India has released a Diwali campaign with the Mishra family from TVF’s Gullak, using three one-minute films to show how a familiar song can turn festive prep into family time. The new line, “Diwali ki taiyaari fun banao, Spotify chalao”, extends the platform’s earlier “Roz ke Kaam Fun Banao” positioning.
The films land in the middle of real Diwali labour: making laddoos to “Taambdi Chaamdi”, drawing rangoli to “Chaiya Chaiya”, and untangling a knot of decorative lights to “Badan Pe Sitare”. Each scene starts with the usual Gullak friction, then shifts the moment someone starts a Spotify track. The job doesn’t disappear. It just becomes a shared performance.
Selling the shift, not the song
What Spotify is really dramatising is a transition from “I have to do this” to “we’re doing this together”. That is a classic behaviour-change device known as temptation bundling: you pair a task people avoid with a source of immediate enjoyment, so the activity itself begins to carry the reward. The brand doesn’t have to persuade anyone to love chores. It only has to be the trigger that changes the experience.
- Familiar faces lower the attention barrier before a single feature is mentioned.
- The trigger is specific: someone presses play. This gives the brand a clear role.
- Music is framed as a catalyst for family connection, not background noise.
Shipra Srivastava, head of marketing, Spotify India, said the partnership felt natural because the Mishra family reflects “the warmth and quirks of a family we all recognize.” The films, she added, celebrate what happens when “an ordinary moment at home turns into a memory you carry with you.”
The choice of Gullak matters. The series already carries middle-class family credibility, banter and small domestic tensions. Spotify borrows that texture so the ad does not have to build emotional appeal from zero. The risk, of course, is that borrowed familiarity can feel more like the show’s property than the brand’s. Spotify manages this by making the app the single behavioural pivot in every cut.
What it teaches brand managers
The lesson is not “use a web-series cast”. It is to attach your product to an existing ritual and show the before-and-after. If your brand is present only as a logo, it is decoration. If your brand changes the texture of the moment, it becomes memory infrastructure. Spotify is not asking for a new habit; it is inserting itself into a habit people already have at Diwali. The films are running on Spotify’s Instagram and YouTube channels, which keeps the distribution inside spaces where audiences already associate music with social moments.
Source: ETBrandEquity.com


